Music written for your project.

When the library is close but not exact — an existing track reworked to fit, or an original score written from scratch. Both start with a brief, and both are answered personally by the composer.

Ivan Ryzhko, the composer who answers every brief, photographed against a painted wall in Kraków — Ivan Ryzhko — the composer who writes it and answers the brief.

Two ways to work.

Track Adaptation

From €89

Starts from a track already in the library

An existing library track reworked to match your edit — a different length, a different arrangement, a new build to hit your cut. The fastest route when the mood is already right and only the shape is wrong.
Custom Music

From €399

Starts from a track you point at — or a blank page

A track written for you and nobody else — a brand film, an ad, a title sequence, a product launch. Yours to use wherever you need it, with no licence to buy again for the next project.

Hear the music working against video

What it costs.

Every price below is a starting point. The exact figure comes back with the answer to your brief — no meetings required to get it.

Prices and turnaround for adaptations and commissioned music
What you get	From	Turnaround
Track adaptation A track already in the library, recut to your edit: a different length, an alternative version, a mix without vocals or drums, or the stems on their own.	€89	2–4 days
A track written for you A new track, written for you. Once it's delivered it's yours — use it in this project and every one after it, and it's never licensed to anyone else. Two rounds of revisions included.	€399	5–14 days

How it works.

The reply: Every brief is read and answered by the composer within one working day — with either a price or the one question standing between him and a price. No account manager, no queue.
Payment: Half up front, half when the finished files are delivered. Card payment through Stripe, or an invoice if your accounting needs one.
Revisions: Two rounds are included in every custom commission, so “a bit warmer in the middle” doesn't become a negotiation. Beyond that, further changes are quoted before any work starts.
Where you can use it: A track written for you comes with no strings: use it online, on TV, in a film, in an app, in this project and every one after it — it's yours, and it's never licensed to anyone else. Library tracks work per project instead: €29 covers one online project, and anything beyond that is a separate licence. See how licensing works.
Who writes it: One composer, twelve years of production music — the same person who answers this form. Examples of the music against real video are on the Work page; the longer story is on About.

Send a brief.

A rough note is enough to start. The composer reads every brief himself and comes back within one working day — with a price, or with the one question standing between him and a price.

Useful to include:

A link to the video, or a description of it
A couple of reference tracks
The deadline, and where the music will run